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1997 American film directed by Don Bluth and Gary Goldman

Anastasia
Anastasia-don-bluth.jpg

Theatrical release affiche
Directed by
  • Don Bluth
  • Gary Goldman
Screenplay by
  • Susan Gauthier
  • Bruce Graham
  • Bob Tzudiker
  • Noni White
Story by Eric Tuchman
Based on Anastasia
by Arthur Laurents
Anastasia
by Marcelle Maurette
Produced by
  • Don Bluth
  • Gary Goldman
Starring
  • Meg Ryan
  • John Cusack
  • Kelsey Grammar
  • Christopher Lloyd
  • Hank Azaria
  • Bernadette Peters
  • Kirsten Dunst
  • Angela Lansbury
Edited by
  • Bob Bough
  • Fiona Trayler
Music by David Newman

Product
companies

Fox Family Films[1] [2]
Play a trick on Animation Studios[iii]

Distributed past 20th Century Fox[ii]

Release dates
  • November 14, 1997 (1997-11-14) (New York Metropolis premiere)
  • November 21, 1997 (1997-11-21) (United States)

Running time

 94 minutes[iv]
Land U.s.a.[ii]
Linguistic communication English
Upkeep $53 meg[five]
Box role $140 million[6]

Anastasia is a 1997 American animated musical alternate history flick produced past Fox Animation Studios and distributed past 20th Century Fox. Directed by Don Bluth and Gary Goldman, it stars One thousand thousand Ryan, John Cusack, Kelsey Grammer, Hank Azaria, Christopher Lloyd, Bernadette Peters, Kirsten Dunst, and Angela Lansbury.[7] Based on the legend of Grand Duchess Anastasia, the film follows an eighteen-yr-quondam amnesiac Anastasia "Anya" Romanov who, hoping to find some trace of her deceased family, sides with two con men who wish to accept advantage of her likeness to the Grand Duchess; thus the film shares its plot with Fox's prior picture show from 1956, which, in turn, was based on the 1954 play of the same name by Marcelle Maurette. Unlike those treatments, this version adds a magically-empowered Grigori Rasputin as the main antagonist.

Anastasia premiered in New York Metropolis on November xiv, 1997, and was released theatrically in the United States on November 21. Critics praised the blitheness, voice performances, and soundtrack, though it attracted criticism from some historians for entertaining such a retelling of the M Duchess. Anastasia grossed $140 million worldwide, making it the near profitable film from Bluth and Fox Blitheness Studios. Information technology received nominations for several awards, including for Best Original Song ("Journey to the Past") and All-time Original Musical or One-act Score at the 70th Academy Awards. The success of Anastasia spawned diverse adaptations of the motion picture into other media, including a direct-to-video spin-off motion picture, a calculator game,[8] books, toys and a phase musical, which premiered in 2016.[ix] [10]

Due to the creation of Play a joke on Animation Studios, Anastasia was the first 20th Century Fox blithe feature to be produced past its own animation partitioning 20th Century Fox Animation.

Plot [edit]

In 1916 Petrograd, Russia, at a brawl celebrating the Romanov tricentennial, Dowager Empress Marie bestows a music box and a necklace inscribed with the words "Together in Paris" as parting gifts to her youngest granddaughter, eight-yr-old Grand Duchess Anastasia. The brawl is of a sudden interrupted by Grigori Rasputin, a sorcerer and the one-time royal adviser until he was exiled for treason. Seeking revenge, Rasputin sells his soul in exchange for an unholy reliquary, which he uses to expletive the Romanovs, sparking the Russian Revolution. As revolutionaries besiege the palace, Marie and Anastasia escape through a hush-hush passageway, aided past x-year-quondam retainer boy Dimitri. Rasputin confronts the two royals outside on a frozen river, simply to fall through the ice and drown. The pair manage to accomplish a moving train, but as Marie climbs aboard, Anastasia falls and hits her head on the platform, later on suffering amnesia.

Ten years later on, in 1926 Russia is under communist rule and Marie has publicly offered 10 one thousand thousand rubles for the safe return of her granddaughter. At present working as a conman, a grown Dimitri and his friend/partner-in-crime, Vlad, search for an Anastasia look-alike to bring to Paris so they can collect the advantage. Elsewhere, an 18-year-old Anastasia (now called "Anya") leaves the rural orphanage where she grew upward, and begins a search for her family unit with her necklace every bit the just clue she has to finding them. Accompanied by a stray puppy she names Pooka, she decides to head to Paris, inspired by the inscription on her necklace, just finds herself unable to exit Russia without an get out visa. An old woman advises her to see Dimitri at the abandoned palace; there, the 2 men are impressed past Anya's resemblance to the "real" Anastasia, and decide to take her with them to Paris, completely unaware of her identity.

Meanwhile, Rasputin's albino bat minion, Bartok, is nearby and notices his master's dormant reliquary suddenly revived by Anya's presence; it drags him to limbo, where he finds an undead Rasputin has been confined. Enraged to hear that Anastasia escaped the curse, Rasputin sends his demonic minions from the reliquary to kill her. The demons sabotage the trio'southward train by overheating the engine and separating it and its ruined baggage car from the balance of the railroad train as they get out St. petersburg, but the trio manages to escape before the called-for locomotive and baggage machine fall through a broken bridge and explode on the ground below. Afterwards, the demons try to lure Anya into sleepwalking off their transport to France. The trio unwittingly foil both attempts, forcing Rasputin and Bartok to travel dorsum to the surface to impale Anya personally. During their journey, as Dimitri and Vladimir teach Anya court etiquette and her family unit's history, Dimitri and Anya begin to fall in love.

The trio somewhen reach Paris and get to see Marie, who has given up the search subsequently meeting numerous impostors. Despite this, Marie's cousin Sophie quizzes Anya to ostend her identity. Though Anya offers every answer taught to her, Dimitri finally realizes she is the real Anastasia when she (without beingness taught) vaguely recalls how he helped her escape the palace siege. Sophie, also convinced, arranges a coming together with Marie at the Paris Opera House. There, Dimitri tries to establish an introduction but Marie refuses, believing Anya volition be some other imposter and has already heard of Dimitri'due south initial scheme to con her. Anya overhears the chat and angrily leaves. Dimitri after abducts Marie in her car to force her to encounter Anya, finally convincing her when he presents the music box Anastasia dropped during their escape. As Marie and Anya converse, Anya regains her memories, and the ii sing the lullaby the music box plays, a hush-hush only the two of them knew. Marie recognizes Anya equally Anastasia, and the two are joyfully reunited.

Marie offers Dimitri the reward money the next day, recognizing him as the servant boy who saved them, simply he refuses information technology, surprising her, and leaves to return to Russian federation. At Anastasia's return celebration, Marie informs her of Dimitri's gesture, leaving Anastasia torn betwixt staying or going with him. Anastasia walks off to the Pont Alexandre III, where Rasputin traps and attacks her. Dimitri returns to salvage her, merely is attacked by a Blackness Pegasus statue enchanted by Rasputin. In the struggle, Anastasia manages to get concord of Rasputin's reliquary and crushes it nether her foot, avenging her family every bit Rasputin'southward demons turn on him and destroy him, thus catastrophe the Romanov curse forever.

In the aftermath, Anastasia and Dimitri reconcile; they elope, and Anastasia sends a farewell letter to Marie and Sophie, promising to return 1 day, which Marie happily accepts. A female bat comes along to kiss Bartok, whilst Bartok bids the audience cheerio.

Voice cast [edit]

  • One thousand thousand Ryan as Anastasia "Anya" Romanov: Raised as an orphan, sets out on a journey to detect her true heritage.
    • Liz Callaway provides the singing voice for Anastasia.
    • Kirsten Dunst provides the speaking voice for young Anastasia.
      • Lacey Chabert provides the singing voice for young Anastasia.
  • John Cusack as Dimitri: A immature con-man, a one-time servant of the Romanovs, and Anastasia's dear interest.
    • Jonathan Dokuchitz provides the singing voice for Dimitri.
    • Glenn Walker Harris Jr. provides the voice for young Dimitri.
  • Kelsey Grammar as Vladimir "Vlad" Vasilovich: A former nobleman turned con-creative person, and a friend of Dimitri.
  • Christopher Lloyd as Grigori Rasputin: An evil monk and magician who bandage a curse upon the Romanov family.
    • Jim Cummings provides the singing voice of Rasputin.[11]
  • Hank Azaria as Bartok: Rasputin's balmy-mannered, talking, albino bat assistant who serves every bit the flick'southward comic relief.
  • Angela Lansbury as Marie Feodorovna Romanov: The Dowager Empress, mother of Nicholas II, and Anastasia's grandmother.
  • Bernadette Peters equally Sophie Stanislovskievna Somorkov-Smirnoff, Marie'south showtime cousin, and lady-in-waiting.
  • Andrea Martin as "Comrade" Phlegmenkoff, the orphanage'south inconsiderate owner.
  • Rick Jones every bit Nicholas 2 Romanov, the last Tsar of Imperial Russian federation and Anastasia's father.
    • Jones also provided voice-over work for the voices of a revolutionary soldier, a servant, and a ticket agent.
  • Charity James as Anastasia impostor
  • Debra Mooney as an Actress
  • Arthur Malet equally Traveling Homo Majordomo

J. K. Simmons, Victoria Clark, Billy Porter, Patrick Quinn and Lillias White were amid the ensemble and character voices.

Production [edit]

Development [edit]

In May 1994, the Los Angeles Times reported that Don Bluth and Gary Goldman had signed a long-term deal to produce animated features with 20th Century Trick with the studio channeling more than $100 million in constructing the animation studio.[12] They selected Phoenix, Arizona, for the location of the new animation studio because the state offered the visitor about $1 million in job grooming funds and depression-interest loans for the state-of-the-fine art digital blitheness equipment,[13] with a staff of 300 artists and technicians, a 3rd of whom worked with Bluth and Goldman in Dublin, Ireland, for Sullivan Bluth Studios.[14] For their kickoff projection, the studio insisted they select one out of a dozen existing properties which they endemic where Bluth and Goldman suggested adapting The Male monarch and I and My Off-white Lady,[15] though Bluth and Goldman felt it would exist impossible to improve on Audrey Hepburn's functioning and Lerner and Loewe's score. Following several story suggestions, the thought to adapt Anastasia originated from Play tricks Filmed Amusement CEO Bill Mechanic. They would later arrange story elements from Pygmalion with the peasant Anya being molded into a regal woman.[xvi]

Early into production, Bluth and Goldman began researching the actual events through enlisting erstwhile CIA agents stationed in Moscow and Saint petersburg.[17] Around this same fourth dimension, screenwriter Eric Tuchman had written a script that co-screenwriter Bruce Graham described as being "very adult, very based in reality, all about politics, and without any magic or comedy". Eventually, Bluth and Goldman decided the history of Anastasia and the Romanov dynasty was also dark for their film.[xvi] In 1995, Graham and Susan Gauthier reworked Tuchman's script into a low-cal-hearted romantic comedy. When Graham and Gauthier moved onto other projects, the husband-and-married woman screenwriting team Bob Tzudiker and Noni White were hired for additional rewrites.[eighteen] Actress Carrie Fisher also made uncredited rewrites of the movie, specially the scene in which Anya leaves the orphanage for Paris.[19]

For the villains, Bluth likewise did non have into consideration depicting Vladimir Lenin and the Bolsheviks, and initially toyed with the idea of a police chief with a vendetta confronting Anastasia. Instead, they decided to have Grigori Rasputin as the villain with Goldman explaining it was considering of "all the different things they did to try to destroy Rasputin and what a horrible man he really was, the more information technology seemed appetizing to brand him the villain".[17] In reality, Rasputin was already expressionless when the Romanovs were assassinated. In addition to this, Bluth created the idea for Bartok, the albino bat, as a sidekick for Rasputin: "I just thought the villain had to have a comic sidekick, only to let everyone know that it was all correct to express mirth. A bat seemed a natural friend for Rasputin. Making him a white bat came after – just to make him different".[twenty] Composers Stephen Flaherty and Lynn Ahrens recalled existence at Au Bon Pain in New York City where Rasputin and Bartok were pitched, and being dismayed at the determination to go down a historically inaccurate road; they made their stage musical adaption "more sophisticated, more far-reaching, more political" to cover their original vision.[21]

Casting [edit]

Bluth stated that Meg Ryan was his first and only choice for the title graphic symbol. All the same, Ryan was indecisive most accepting the role due to its nighttime historical events.[22] To persuade her, the animation team took an sound clip of Annie Reed from Sleepless in Seattle and created an animation reel based on it which was screened for her following an invitation to the studio. Ryan after accepted the office; in her words "I was diddled away that they did that".[23] Earlier Ryan was cast, Broadway vocaliser and actress Liz Callaway was brought in to record several demos of the songs hoping to state a task in groundwork vocals, only the demos were liked well enough by songwriters that they were ultimately used in the final film.[24] John Cusack openly admitted subsequently being bandage that he couldn't sing;[25] his singing duties were performed by Jonathan Dokuchitz.[26] Goldman had commented that originally, every bit with the residuum of the cast, they were going to have Ryan record her lines separately from the others, with Bluth reading the lines of the other characters to her. However, after Ryan and the directors were finding the method to exist likewise challenging when her character was paired with Dimitri, she and Cusack recorded the dialogue of their characters together, with Goldman noting "it fabricated a huge difference".[17]

Peter O'Toole was considered for the role of Rasputin, merely Christopher Lloyd was hired because of his popularity from the Back to the Futurity trilogy. Bartok was initially written for Woody Allen, just the studio was reluctant to hire him following revelations of his relationship with his ex-partner Mia Farrow's adoptive daughter, Presently-Yi Previn. Martin Short was likewise considered, but Hank Azaria won the role x minutes into his audition.[17] [18]

Musical score and soundtrack album [edit]

The motion-picture show score was equanimous, co-orchestrated, and conducted by David Newman, whose father, Alfred Newman, composed the score of the 1956 motion picture of the aforementioned proper noun.[27] The songs, of which "Journey to the By" was nominated for the Academy Honour for All-time Original Song, were written past Lynn Ahrens and Stephen Flaherty.[28] The kickoff song they wrote for the project was "Once Upon a December"; information technology was written during a heatwave "then [they were] sweating and writing winter imagery".[21] The moving-picture show's soundtrack was released in CD and audio cassette format on October 28, 1997.[29]

Release [edit]

20th Century Trick scheduled for Anastasia to be released on November xiv, 1997. Disney scheduled their re-release of The Piffling Mermaid for the aforementioned day (Anastasia was then shifted to a calendar week later) and claimed it had long-planned for the re-release to coincide with a consumer products campaign leading into Christmas and the moving picture's home video release in March 1998, as well continue the tradition of re-releasing their films within a seven-to eight-year interval,[30] but they also scheduled the release of several competing family films including Flubber and a double characteristic of George of the Jungle and Hercules [thirty] on that following weekend, and banned advertisements for Anastasia - as well equally any clips from the film from being included in other advertisements - on the ABC programme The Wonderful Earth of Disney.[31]

Commenting on the vehement contest betwixt the ii films, Disney spokesman John Dreyer brushed off allegations of studio rivalry, claiming: "We always re-release our movies around holiday periods". However, Fox executives refused to believe Dreyer's statement with Neb Mechanic responding that "information technology'southward a deliberate effort to be a bully, to kicking sand in our face. They can't be trying to maximize their ain business; the amount they're spending on advertising is ridiculous... Information technology'southward a full-bodied endeavor to keep our moving picture from fulfilling its potential".[32]

Marketing [edit]

Anastasia was accompanied with a marketing campaign at more than than $l million with promotional sponsors from Burger King, Dole Nutrient Company, Hershey, Chesebrough-Ponds, Macy'due south Thanksgiving Mean solar day Parade, Beat Oil, and the 1997 U.S. Figure Skating Championships. Overall, the marketing costs exceeded that of Independence Day by more than than 35 percent.[33] For merchandising, Trick selected Galoob to license dolls based on Anastasia.[32] Many storybooks adapted from the film were released by Piffling Gilt Books. In Baronial 1997, the SeaWorld theme parks in San Diego and Orlando featured a twoscore-foot-long, 20-foot-high inflatable playground for children called "Anastasia'southward Kingdom".[34]

Home media [edit]

On April 28, 1998 and Jan 1, 1999, Anastasia was released on VHS, LaserDisc and DVD and sold eight 1000000 units.[35] The flick was reissued on a two-disc "Family Fun Edition" DVD with the film in its original theatrical ii.35:1 widescreen format on March 16, 2006. The get-go disc contained the moving picture, an optional audio commentary from directors/writers Bluth and Goldman, and bonus features. The second contained a making-of documentary, music video and making-of featurette of Aaliyah's "Journeying to the By", and additional bonus content.[36] The flick was released on Blu-ray on March 22, 2011; this came with Bartok the Magnificent in the special features.[37]

Anastasia became available on December 4, 2020 on Disney+,[38] [39] post-obit Disney's acquisition of 20th Century Fox on March twenty, 2019.[40] Information technology was later removed from Disney+ on March one, 2022 and will be heading to Starz on March 18, 2022; opposite to popular conventionalities, the motion picture was not removed in response to the 2022 Russian invasion of Ukraine (Disney had suspended theatrical releases in Russia such as the upcoming Turning Red, which led to confusion that Anastasia's removal was connected to this).[41] [42]

Reception [edit]

Review aggregator website Rotten Tomatoes gives the film a score of 86% based on 56 reviews and an average rating of seven.11/x. The website'southward consensus reads: "Cute animation, an affable have on Russian history, and strong vocalisation performances make Anastasia a winning first film from Pull a fast one on Blitheness Studios".[43] On Metacritic, the film has a score of 61 out of 100 based on 19 reviews, indicating "generally favorable reviews".[44]

Roger Ebert of the Chicago Sunday-Times awarded the film three-and-a-half out of four stars, praising "the quality of the story" and writing the outcome every bit entertaining and sometimes heady.[45] Gene Siskel of the Chicago Tribune gave Anastasia three stars, calling the lead character "pretty and charming" but criticizing the film for a lack of historical accurateness.[46] The Cincinnati Enquirer described the pic as "charming" and "entertaining", calling Anastasia as a tasty tale about a fairy-tale princess.[47] Lisa Osbourne of Boxoffice chosen the film "pure family unit entertainment".[48] Awarding the flick three out of v stars, Empire 's Philip Thomas wrote that despite historical inaccuracies, Anastasia manages to be a mannerly lilliputian movie.[49]

Several critics have drawn positive comparisons between Anastasia and the Disney films released during the Disney Renaissance, noting similarities in their story and animation styles. Marjorie Baumgarten of The Austin Relate awarded the moving-picture show three out of five stars. Likening its quality to that of a Disney blithe motion-picture show, Baumgarten wrote that Anastasia "may not shell Disney at its ain game, but it sure won't be for lack of trying". Baumgarten continued that "[t]his sumptuous-looking film clearly spared no expense in its visual rendering; its optical flourishes and attention to detail aim for the Disney aureate standard and, for the most part, come up pretty darn close".[50] The Phoenix 's Jeffrey Gantz jokingly stated: "[I]f imitation is indeed the sincerest form of flattery, then the folks at Disney should experience royally complimented by Twentieth Century Fox's new blithe characteristic near Tsar Nicholas Ii's youngest daughter".[51] Owen Gleiberman of Amusement Weekly wrote that Play a joke on has a beautifully animated musical that can challenge Disney's peer, but likewise said that Anastasia has inferior blitheness manner compared to Disney'due south and lacks its magic.[52]

Critical response [edit]

Critical reception in Russian federation was too, for the most part, positive despite the artistic liberties that the film took with Russian history. Gemini Films, the Russian distributor of Anastasia, stressed the fact that the story was "not history", but rather "a fairy tale set up against the background of existent Russian events" in the film's Russian marketing entrada so that its Russian audience would not view Anastasia equally a historical film.[53] As a result, many Russians praised the film for its art and storytelling and saw it equally not a piece of history but some other Western import to be consumed and enjoyed.[53]

Some Russian Orthodox Christians, on the other hand, found Anastasia to be an offensive depiction of the K Duchess, who was canonized as a new martyr in 1981 past the Russian Orthodox Church Outside Russia.[54] Many historians echoed their sentiments, criticizing the flick equally a sanitized, sugar-coated reworking of the story of the Czar'southward youngest daughter.[55] While the filmmakers best-selling the fact that "Anastasia uses history but as a starting indicate", others complained that the film would provide its audience with misleading facts about Russian history, which, co-ordinate to the writer and historian Suzanne Massie, has been falsified for so many years.[56] Similarly, the amateur historian Bob Atchison said that Anastasia was akin to someone making a film in which Anne Frank "moves to Orlando and opens a crocodile subcontract with a guy named Mort".[56]

Some of Anastasia's contemporary relatives likewise felt that the flick was distasteful, merely most Romanovs have come to accept the "repeated exploitation of Anastasia'due south romantic tale... with self-possession".[56]

Box office [edit]

A limited release of Anastasia at the Ziegfeld Theatre in New York City on the weekend of November 14, 1997, grossed $120,541.[57] The post-obit week, the wide release of Anastasia in the United States made $14.one million (for an boilerplate of about $v,692 from 2,478 theaters), which placed it as the #two pic (behind Mortal Kombat: Annihilation) for the weekend of November 21–23, 1997. By the cease of its theatrical run, Anastasia had grossed $58.4 million in the Due north American box part and $81.4 million internationally.[six] The worldwide gross totaled upwards to about $139.8 million, making it Don Bluth's highest-grossing film to appointment and beating out his side by side highest-grossing film, An American Tail, past about $55 million.[58] This was Don Bluth'south first financially successful film since All Dogs Go to Sky.

Adaptations [edit]

Water ice Follies [edit]

Anastasia On Ice was a licensed adaptation produced by Feld Entertainment's on ice unit of measurement that ran from at to the lowest degree 1998 to 1999.[59] [60]

Spin-off prequel [edit]

In 1999 a direct-to-video spin-off and prequel chosen Bartok the Magnificent was released which focused on the graphic symbol of Bartok.[61]

Stage musical accommodation [edit]

In April 2015, Hartford Phase planned to premiere a new phase product of Anastasia, with the book past Terrence McNally, lyrics by Lynn Ahrens, music by Stephen Flaherty and directed by Darko Tresnjak.[62] The production ran from May 13 through June nineteen, 2016.[63]

It is an original new musical combining both the 1956 Flim-flam film and the 1997 animated film. According to Tresnjak, the musical features six songs from the animated picture show and additionally includes 16 new songs. Additionally, there take been some newly rewritten characters including Checkist hole-and-corner police force officer Gleb Vaganov (in the place of Rasputin), and Lily, who has been renamed in the place of Sophie.[64] McNally said: "This is a phase version for a modern theatre audience... The libretto'southward 'a alloy' of old and new... There are characters in the musical that appear in neither the cartoon nor the Ingrid Bergman version".[65]

The Hartford production featured Christy Altomare as Anastasia / Anya, Derek Klena as Dimitri, Mary Beth Peil as The Dowager Empress Maria Feodorovna, Manoel Felciano as Gleb Vaganov, John Bolton as Vladimir, Caroline O'Connor as Lily, and Nicole Scimeca as Young Anastasia.[66] The musical transferred to Broadway with much of the original Hartford bandage, opening on Apr 24, 2017, at the Broadhurst Theater[67] to mixed reviews.

Accolades [edit]

Anastasia received the Broadcast Film Critics Association Award for Best Family Film[68] and was nominated for 7 others, including ii Academy Awards in the categories of All-time Original Musical or Comedy Score (lost to The Full Monty) and Best Original Song for "Journey to the By" (lost to "My Heart Volition Go on" from Titanic).[69] [seventy] The R&B vocalizer Aaliyah performed her popular single version of "Journey to the By" at the 70th University Awards.[71]

See also [edit]

  • Anna Anderson
  • Romanov impostors
  • List of 20th Century Studios theatrical animated feature films

References [edit]

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External links [edit]

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Source: https://en.wikipedia.org/wiki/Anastasia_(1997_film)

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